King of Missouri (Anton Barbeau with the Bevis Frond)

by Anton Barbeau

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1.	King Of Missouri 02:22	buy track
2.	Sweet Creature, What's Your Name? 03:13	buy track
3.	Octagon 03:25	buy track
4.	The Clothes I Want To Wear 03:37	buy track
5.	I Remember Everything 03:01	buy track
6.	It's Okay, Maybe 02:57	buy track
7.	I'm Always Offending My Sensitive Friends 03:10	buy track
8.	Cheque's In The Mail 05:10	buy track
9.	I Don't Like You 03:25	buy track
10.	Sylvia Something 06:44	buy track
11.	Retabulation 03:44	buy track
12.	Intro (Motor) 00:17	buy track
13.	Motor 03:41	buy track

about

"...like Bob Dylan fronting some great lost British freak-beat band." - Stewart Lee, The Sunday Times

credits

released April 24, 2003

Ant - vocals, some guitars, piano and organ on "Motor."
Nick Saloman - many guitars, keyboards, bass on "It's Okay," organ on "Motor, beautiful blur
Adrian Shaw - bass
Andy Ward - drums
and introducing... The Brad 'King's' Cross Singers

Recorded at Gold Dust, Bromley, by Colin Andrews, April/May 2002
Mastered at Monster Lab Audio, Sacramento, by Eric Broyhill

Released on Woronzow, 2003 and Bongo Beat, 2005

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about

Anton Barbeau Berlin, Germany

Anton Barbeau plays "pre-apocalyptic psychedelic pop." He's a Taurus, born in Sacramento and now living by a canal in Berlin. He's made something like 30 albums and has worked with members of XTC, The Soft Boys, the Bevis Frond, Cake, the Loud Family, Elf Power and
the Corner Laughers. Julian Cope got him stoned in Croydon once. His new album, Manbird, ain't bad at all. ... more

antonbarbeau.com

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Anton Barbeau recommends:

Poppy Seeds
by The Corner Laughers

This is a band that began in brilliance and only gets brighter, deeper and darker with every passing thought. Lovely, inspired and inspiring, perfectly performed and produced. Anton Barbeau
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Magnified
by Rosie Abbott

This is the album for which the term "inventive" was invented. I was hooked from the first spin. The writing/arranging/performance/production is impeccable and charming as hell. Anton Barbeau
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STAND TALL SON
by The Point Of R.e.a.l.ization.

It's tripped-out, hypnotic, mysterious and sometimes soft. It's a great record simply because it is. Anton Barbeau
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